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Recipient of the 2007 Montreal Baroque Prize for Audaciousness and Musicality, harpsichordist Sara-Anne Churchill is increasingly in demand as an orchestral player, chamber musician and soloist. She has recently appeared with I Furiosi Baroque Ensemble, Aradia Ensemble, Niagara Symphony, Mississauga Symphony, Orchestra London and The Musicians in Ordinary. One of the first graduates of the new Advanced Certificate in Performance-Baroque Option, jointly offered by the University of Toronto and Tafelmusik Baroque Orchestra, Sara has also received instruction from Olivier Fortin, Skip Sempé, Richard Egarr, Carole Cerasi and Luc Beauséjour. She currently studies harpsichord with Charlotte Nediger and is a candidate for the Doctorate of Musical Arts in Harpsichord Performance at the University of Toronto. Sara-Anne’s current research focuses on keyboard transcriptions of Handel opera arias and is funded by a grant from the Social Science and Humanities Research Council.
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